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Robinson McClellan, Associate Curator of Music Manuscripts and Printed Music, discusses the importance of Robert Owen Lehman’s extraordinary collection of music manuscripts that has been an inspiration to scholars and visitors since it was placed on deposit at the Morgan Library & Museum.

The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f

The most famous achievement of Annibale Carracci (1560–1609) is his celebrated series of frescoes in the Palazzo Farnese in Rome (1596–1604).

Albrecht Dürer's engraving Adam and Eve is one of the most celebrated of the artist's career. It complements the Morgan's drawing of Adam and Eve by Dürer (I, 257d).

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To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).

Co-curators of A Lively Mind: Jane Austen at 250, Dale Stinchcomb and Juliette Wells, discuss the genius, wit, and legacy of one of the world's most beloved authors.

In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.

What is one of the biggest challenges for a building in the wilds of New York City? The fearless New York City pigeon! Just like us, pigeons love the loggia of our J. Pierpont Morgan Library building.

Take a closer look at three touching, humanist drawings by Rembrandt (1606–1669) in the Morgan's collection. John Pierpont Morgan loved Rembrandt. He owned 500 prints by Rembrandt, and in 1909 acquired his first drawings by the artist.