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Charles Noble, Curator of Collections, Devonshire Collection, Chatsworth, delivers his lecture The Early Dukes of Devonshire: Collectors of Drawings, 1680–1755 on Saturday, March 5, 2016.

During the 1960s, a number of artists became keenly interested in the nascent field of computing. Mainframe computers on college campuses and collaboration with industry provided unprecedented access to this new technology.

John Marciari, Charles W. Engelhard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum delivers his lecture Janos Scholz and His Era on Saturday, March 5, 2016.

Carel van Tuyll, former Director of the Département des Arts graphiques, Musée du Louvre, Paris, delivers his lecture Queen Christina of Sweden’s Collection of Drawings on Saturday, March 5, 2016.

One of the most dramatic interventions performed by Mariette on drawings in his collection was the splitting of a single sheet of paper to separate the recto and the verso of double-sided drawings.

Claire Gilman, our Acquavella Curator and Department Head, Modern and Contemporary Drawings, introduces a new acquisition by Jay DeFeo, who is known for her unconventional use of materials and intense physical method of artmaking.

Welcome and opening remarks from Colin B. Bailey, Director, The Morgan Library & Museum, and John Marciari, Charles W. Englehard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum.

Curator Jennifer Tonkovich, discusses the exhibition Degas: Drawings and Sketchbooks.

The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f

In the late 1650s, when he was at the summit of his career, Rembrandt van Rijn drew a series of "creative copies" after Mughal Indian portraits.