Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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For our Centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan. First up, artist Walton Ford describes some of his favorites drawings in our collection and what about these works inspire him.
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This exhibition celebrates the remarkable collection of drawings assembled by the collecting couple Richard Gray, one of America’s foremost art dealers, and art historian Mary L. Gray.
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Join us for a rare and extraordinary musical experience: a selection of Mozart’s beloved chamber works performed on the Costa violin, on loan from the Mozarteum in Salzburg.
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Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile, and inventive artists of the European Renaissance.
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Join Joshua O'Driscoll, Assistant Curator of Medieval and Renaissance Manuscripts, for a virtual exploration of a 1,200-year-old book that forms the cornerstone of the renowned collection of illuminated manuscripts at the Morgan Library & Museum.
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On March 15, 1874, a group of artists later called the Impressionists opened an independent exhibition in a gallery in the center of Paris. In the 150 years that followed, their works have become some of the most widely recognized and popular in the world.
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Take a closer look at three “action portraits” from the Morgan’s 20th-century photography collection with Joel Smith, the Richard L. Menschel Curator of Photography. Listen as Joel shares his insights on these dynamic images!
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Jesse R. Erickson, Astor Curator of Printed Books & Bindings, and John Bidwell, Curator Emeritus, discuss the Bible as a cornerstone of religion, art, and literature in the western world.
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John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.
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In the late 1650s, when he was at the summit of his career, Rembrandt van Rijn drew a series of "creative copies" after Mughal Indian portraits.
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