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Sal Robinson, our Lucy Ricciardi Assistant Curator of Literary and Historical Manuscripts, discusses the artist Ashley Bryan and his 2015 book Sail Away, in which Bryan paired poems by Langston Hughes on the subject of water—oceans, seas, rivers, and rainstorms—

In celebration of Pride, the Morgan presents two lectures on queer artists Rick Barton and Ray Johnson:

Talk 1
The Black Cat and the San Francisco Demi-monde, 1930s–60s
Gary Kamiya

Celebrated as the most notable portrait and landscape painter of Georgian England, Thomas Gainsborough (1727-1788) was also a brilliant and experimental draftsman.

The life and art of Peter Hujar (1934–1987) were rooted in downtown New York. Private by nature, combative in manner, well-read, and widely connected, Hujar inhabited a world of avant-garde dance, music, art, and drag performance.

Jesse R. Erickson, Astor Curator of Printed Books & Bindings, and John Bidwell, Curator Emeritus, discuss the Bible as a cornerstone of religion, art, and literature in the western world.

Ger Luijten, Director, Fondation Custodia, Collection Frits Lugt, Paris, delivers his lecture Frits Lugt: Building a Collection on Saturday, March 5, 2016.

Michiel Plomp, Chief Curator of Art Collections, Teylers Museum, Haarlem, delivers his lecture Rembrandt and His Time on Saturday, March 5, 2016.

Take a closer look at three touching, humanist drawings by Rembrandt (1606–1669) in the Morgan's collection. John Pierpont Morgan loved Rembrandt. He owned 500 prints by Rembrandt, and in 1909 acquired his first drawings by the artist.

In conjunction with Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800–1500, Sharon Liberman Mintz, Curator of Jewish Art at The Library of The Jewish Theological Seminary, and Adam S.