Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).
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The most famous achievement of Annibale Carracci (1560–1609) is his celebrated series of frescoes in the Palazzo Farnese in Rome (1596–1604).
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Join Joshua O'Driscoll, Assistant Curator of Medieval and Renaissance Manuscripts, for a virtual exploration of a 1,200-year-old book that forms the cornerstone of the renowned collection of illuminated manuscripts at the Morgan Library & Museum.
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Take a closer look at three “action portraits” from the Morgan’s 20th-century photography collection with Joel Smith, the Richard L. Menschel Curator of Photography. Listen as Joel shares his insights on these dynamic images!
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Jesse R. Erickson, Astor Curator of Printed Books & Bindings, and John Bidwell, Curator Emeritus, discuss the Bible as a cornerstone of religion, art, and literature in the western world.
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“In a hole in the ground there lived a hobbit.” With these words the Oxford professor J.R.R. Tolkien ignited a fervid spark in generations of readers.
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A widely connected pioneer of Pop and mail art, Ray Johnson (1927–1995) was described as “New York’s most famous unknown artist.” Best known for his multimedia collages, he stopped exhibiting in 1991, but his output did not diminish.
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The original ideas for many of Beatrix Potter's stories can be found in the manuscript picture letters she wrote to children of friends and family members.
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Take a closer look at this 900 year old English manuscript with Dei Jackson, Assistant Curator of Medieval and Renaissance Manuscripts as she tells the story of St. Edmund.
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John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.
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