Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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“In a hole in the ground there lived a hobbit.” With these words the Oxford professor J.R.R. Tolkien ignited a fervid spark in generations of readers.
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Our curator John Marciari discusses our current exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi which examines Giovanni Battista Piranesi as a versatile draftsman and his vigorous drawings.
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This year marks the 300th birthday of the printmaker, architect, and designer Giovanni Battista Piranesi (1720–1778), and in celebration, exhibitions were organized in Venice, London, Berlin, and elsewhere.
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Claire Gilman, our Acquavella Curator and Department Head, Modern and Contemporary Drawings, introduces a new acquisition by Jay DeFeo, who is known for her unconventional use of materials and intense physical method of artmaking.
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American artist Walton Ford and Jennifer Tonkovich, our Eugene and Clare Thaw Curator of Drawings and Prints, discuss the artist’s current exhibition Walton Ford: Birds and Beasts of the Studio. Ford established his reputation in the 1990s with his monumental watercolor paintings of wild
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It is generally acknowledged that Boucher’s Triumph of Venus, painted in the summer of 1740 for Count Carl Gustaf Tessin, is the artist’s greatest mythological painting.
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The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.
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When Franz Kafka died of tuberculosis at the age of forty, in 1924, few could have predicted the influence his relatively small body of work would have on every realm of thought and creative endeavor over the course of the twentieth century and into the twenty-first.
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The exhibition Conversations in Drawing: Seven Centuries of Art from the Gray Collection brings together works from across Europe and the United states, illuminating affinities and tensions in the history of drawing.
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