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She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

The exhibition features some twenty exceptional drawings by Degas, along with two of his sketchbooks, demonstrating the iconic artist's characteristic daring and inventiveness.

The exhibition features approximately ninety highly influential texts and outstanding works of art, providing a compelling overview of ideas championed by the Romantics and also implemented by them in private estates and public parks in Europe and the United States, notably New York's Central Park.

With rarely seen architectural drawings, period photographs, and significant rare books and manuscripts from Morgan’s collection, this exhibition traces the design, construction, and early life of J. Pierpont Morgan’s Library.

Nearly fifteen years ago, while the construction of its Renzo Piano-designed expansion was under way, the Morgan embarked on a new program of acquisitions of modern and contemporary drawings.

The Morgan celebrates the 100th year of its founding with a series of exhibitions devoted to promised gifts to the museum, including twenty-eight drawings from the holdings of New York–based collectors Elizabeth and Jean-Marie Eveillard.

Illuminating the Medieval Hunt features nearly fifty miniatures from the Morgan's celebrated hunting manuscript by Gaston Phoebus (1331–1391), Le Livre de la chasse (Paris, ca. 1407).

This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000).

This special exhibition features original drawings and manuscript pages from the classic children's book Where the Wild Things Are by Maurice Sendak (b. 1928). The show is part of a citywide celebration honoring Mr. Sendak and marking the October 13 premiere of a new Warner Bros. movie adaptation directed by Spike Jonze.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.