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This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000).

This exhibition celebrates the remarkable collection of drawings assembled by the collecting couple Richard Gray, one of America’s foremost art dealers, and art historian Mary L. Gray.

Rocks and Mountains is the fourth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

Warhol by the Book is the first exhibition in New York devoted solely to Warhol’s career as a book artist.

This exhibition celebrates the Morgan's Man Booker Prize Collection—the largest American collection devoted to the prize, acquired in 2010.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.

Eighteenth- and nineteenth-century landscape artists often sketched outdoors in oil paint on paper to capture nature from direct observation. Yet as natural as these scenes look, the vantages were chosen or augmented to draw the viewer into the composition.

The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

Featuring more than sixty-five exquisitely illuminated manuscripts, Illuminating Faith offers glimpses into medieval culture, and explores the ways in which artists of the period depicted the celebration of the sacrament and its powerful hold on society.