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Drawing on the Morgan's superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages.

This exhibition celebrates the extraordinary loan from the Galleria Borghese in Rome of the painting Boy with a Basket of Fruit, an important early work by Michelangelo Merisi, known as Caravaggio (1571–1610).

John Milton's Paradise Lost celebrates the 400th anniversary of the birth of John Milton (1608–1674) with an exhibition drawn from the Morgan's collection of the English poet's work, which includes the only surviving manuscript of Paradise Lost.

The Morgan celebrates the recently-completed Saint John's Bible, created using traditional illumination techniques.

The Morgan is delighted to present visitors with a unique opportunity to see, for the first time in New York, Leonardo da Vinci's extraordinary Codex on the Flight of Birds, and one of his most celebrated drawings, Head of a Young Woman, together with a selection of other works on paper.

The exhibition features approximately sixty rare and exceptional objects from diverse disciplines that serve as points of departure for exploring some of the fundamental meanings of genius.

In 2019, the Morgan received a donation of some twenty- five works on paper from the collection of American poet John Ashbery (1927–2017) from his husband, David Kermani.

At the end of the 1520s, at the time of the siege that brought to an end the last Florentine Republic (1529–1530), the painter Jacopo da Pontormo, (1494–1557) created one of his most moving and groundbreaking paintings, the altarpiece of the Visitation.

The Morgan’s collection of autograph manuscripts by Beethoven will be on display as part of Beethoven 250.

Édouard Vuillard: Sketches and Studies