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As part of the Bicentenary celebrations of the Royal Philharmonic Society, the Morgan will display two historic copyist scores of Beethoven's Ninth Symphony, marking the first time they have been brought together since their creation in 1824.

Warhol by the Book is the first exhibition in New York devoted solely to Warhol’s career as a book artist.

The Nationalmuseum, Sweden’s largest and most distinguished art institution, is partnering with the Morgan to bring more than seventy-five masterpieces from its collections to New York for a rare visit.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000).

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

The exhibition brings together for the first time Degas's remarkable painting, on loan from the National Gallery, London, and nearly all of the related preparatory works.

Featuring more than sixty-five exquisitely illuminated manuscripts, Illuminating Faith offers glimpses into medieval culture, and explores the ways in which artists of the period depicted the celebration of the sacrament and its powerful hold on society.

The Morgan’s collections continually grow and evolve. This presentation features a selection of drawings newly acquired by the Department of Drawings and Prints, which focuses on work created before 1900.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.