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Surveying the finest Northern European drawings in the Morgan's collections, this exhibition featured over one hundred works spanning the Gothic through the Flemish Baroque periods.

The eighteenth-century British master Thomas Gainsborough (1727–1788) is celebrated for his portraiture and for his depictions of rural landscapes.

The Living Word is a poetic evocation of the relationship between the written word and its meaning.

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

As part of a commitment to build a representative collection of works on paper by twentieth-century artists, the Morgan acquired two major works by the American painter and draftsman Stuart Davis (1892–1964): his earliest known diary, used by the artist between 1920 and 1922, and a sketchbook dated 1926. To celebrate these acquisitions, the Morgan presented Stuart Davis: Art and Theory, 1920–31.

Three Gutenberg Bibles allows visitors to see important differences in copies of the first substantial printed book in the Western world, an epoch-making technological innovation, yet also a highpoint in the art of graphic design.

The Nationalmuseum, Sweden’s largest and most distinguished art institution, is partnering with the Morgan to bring more than seventy-five masterpieces from its collections to New York for a rare visit.

This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000).

Rocks and Mountains is the fourth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare.

The Morgan Library & Museum celebrated the 250th anniversary of the birth of Wolfgang Amadeus Mozart (1756–1791) with an exhibition that traces Mozart's brief life through manuscripts, letters, and first editions of his works.