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Nearly twenty years ago, the Morgan decided to expand its collection of drawings and prints into the modern era.

Author of more than three thousand folk songs, Woody Guthrie (1912–1967) is one of the most influential songwriters and recording artists in American history.

In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.

This summer, the Morgan will continue its annual sculpture series with a large-scale installation by Berlin-based artist Monika Grzymala.

In 2021, the Morgan acquired twenty-eight drawings by American artist George Condo (b. 1957) that offer an overview of his career over the last forty-five years. Drawing, or “visual thinking” as he calls it, is central to Condo’s practice, which centers around the figure.

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

Saul Steinberg: Illuminations featured more than one hundred drawings, collages, and sculptural assemblages by the artist whom many regard as not only a comic genius but among the greatest draftsmen of the modern era.

This exhibition will recognize the sheer scale of Sargent’s achievement as a portrait draftsman.

Henry James and American Painting is the first exhibition to explore the author’s deep and lasting interest in the visual arts and their profound impact on the literature he produced.

Sing a New Song traces the impact of the Psalms on men and women in medieval Europe from the sixth to the sixteenth century.