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David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings.

Reuniting the score and designs from Philip Glass and Robert Wilson's Einstein on the Beach, this exhibition focuses on the opera's premiere performances in 1976.

This exhibition brings together nearly one hundred outstanding works from the collection, including first editions, manuscripts, letters, and revised galley proofs.

Fragonard and the French Tradition celebrated the artist's brilliant accomplishments as a draftsman in the context of the prevailing currents of eighteenth-century French art.

A Collective Invention: Photographs at Play signals the debut of photography as a curatorial focus at the Morgan.

During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.

By the early nineteenth century, artists throughout Europe had grown increasingly interested in depicting the weather.

Through the generosity of private donors, the Morgan acquired an exceptionally fine impression of the engraving Adam and Eve by the German master Albrecht Dürer (1471–1528).

This exhibition marks the first presentation of Spanish drawings at the Morgan and showcases over twenty sheets from the museum's pre-eminent master drawings collection.

The inaugural exhibition in a planned new series, the show's fourteen works highlight the innovative approaches employed by artists working in conditions that varied according to time of day, season, and weather conditions. The series will be drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw, who is also an honorary trustee of the Metropolitan Museum of Art, and his wife, Clare.