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By the mid-eighteenth century, the practice of sketching outdoors with oil paint had become popular among landscape artists.

This exhibition explores an extraordinary partnership, as documented in director James Ivory’s annotated film scripts, editing notebooks, and correspondence

Sol LeWitt's Wall Drawing 552D, generously donated to the Morgan by the Estate of Sol LeWitt, will be installed in the Morgan's Gilbert Court this summer.

Picturing Natural History: Flora and Fauna in Drawings, Manuscripts, and Printed Books was The Morgan Library & Museum's first exhibition devoted to natural history illustration. It was also the Morgan's last before closing to the public for an extensive renovation and expansion program. The institution reopened to the public in spring 2006.

Jacopo Tintoretto (1518–1594) was among the most distinctive artists of the Italian Renaissance, but his drawings have never received the attention they deserve and remain unfamiliar even to many scholars.

This exhibition highlights more than 150 master drawings from the Thaw Collection, one of the world’s finest private collections containing over 400 sheets.

The exhibition explores the challenging creation of Wagner’s epic, and the staging of its 1876 premiere in Bayreuth and its 1889 American debut at the Metropolitan Opera House in New York.

The exhibition brings together for the first time Degas's remarkable painting, on loan from the National Gallery, London, and nearly all of the related preparatory works.

This exhibition explores the recent growth of the Morgan's collection of drawings made before 1900.

By Any Means brings together about twenty innovative works from the Morgan’s collection, including many recent acquisitions, by artists such as John Cage, Sol LeWitt, Vera Molnar, Robert Rauschenberg, Betye Saar, Gavin Turk, and Jack Whitten.