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The Morgan will present the first public presentation of nine revealing letters and postcards written by J. D. Salinger to Marjorie Sheard, an aspiring Canadian writer, between 1941 and 1943.

By Any Means brings together about twenty innovative works from the Morgan’s collection, including many recent acquisitions, by artists such as John Cage, Sol LeWitt, Vera Molnar, Robert Rauschenberg, Betye Saar, Gavin Turk, and Jack Whitten.

In the century since its founding as a public institution, the Morgan’s collections have grown dramatically, deepening the core assembled by J. Pierpont Morgan and his librarian, Belle da Costa Greene, who became the first Director of the institution.

In the 1950s the young, provocative writers now known as the Beat Generation emerged onto the American literary scene. Heavily inspired by European Surrealism and the jazz culture of Black America, the Beats were experimental and politically dissident in both their lifestyles and written work.

Treasures of Islamic Manuscript Painting from the Morgan marks the first time the Morgan has gathered these spectacular volumes together in a single exhibition.

The plays of Tennessee Williams (1911–1983) are intimate, confessional, and autobiographical. They are touchstones not only of American theatrical history but American literary history as well.

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

This exhibition marks the first presentation of Spanish drawings at the Morgan and showcases over twenty sheets from the museum's pre-eminent master drawings collection.

The exhibition will feature nearly one hundred items, drawn primarily from the Morgan's holdings and The Henry W. and Albert A. Berg Collection of English and American Literature at The New York Public Library, two of the most important collections of Poe material in the United States.

Drawn from the Morgan's Ruskin collections, among the world's most comprehensive, the exhibition explored his sweeping impact through drawings, sketchbooks, manuscripts, books, pamphlets, and other objects.