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One of the most popular and enigmatic American writers of the nineteenth century, Emily Dickinson (1830–1886) wrote almost 1,800 poems.

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

Sing a New Song traces the impact of the Psalms on men and women in medieval Europe from the sixth to the sixteenth century.

The show focuses on artists who worked on the frescoes, paintings, tapestries, and other decorative work that embellished the magnificent Palazzo Vecchio in Florence, best known as the home of the Medici dukes.

This exhibition features the greatest works on paper by the artists in the Morgan's collection, as well as a few key loans from local collections.

During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.

The Morgan holds the original manuscript and art for one of the world’s most widely read and cherished books, Antoine de Saint-Exupéry’s The Little Prince (1943).

Studying Nature: Oil Sketches from the Thaw Collection presents more than twenty works drawn from the collection of Eugene V. and Clare Thaw, which chronicles the history of the genre in the eighteenth and nineteenth centuries.

Pierre-Jean Mariette (1694–1774) was one of the earliest and most important collectors of old master drawings and he played a pivotal role in shaping our modern conception of the old masters.

Imperial Splendor offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.