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The Morgan is delighted to present visitors with a unique opportunity to see, for the first time in New York, Leonardo da Vinci's extraordinary Codex on the Flight of Birds, and one of his most celebrated drawings, Head of a Young Woman, together with a selection of other works on paper.

This exhibition brings together nearly one hundred outstanding works from the collection, including first editions, manuscripts, letters, and revised galley proofs.

The brilliant and celebrated writer, dramatist, aesthete, wit, and self-proclaimed "lord of language" was the focus of Oscar Wilde: A Life in Six Acts, originally organized by the British Library. Wilde's (1854–1900) rise to success as a literary and social figure was meteoric. His decline to notoriety and disgrace was equally dramatic. Twelve years after publishing his first work of fiction, in 1888, he was dead at the age of forty-six, buried in a pauper's grave on the outskirts of Paris.

This exhibition celebrates the Morgan’s 2018 acquisition of eleven drawings from the Souls Grown Deep Foundation, an organization dedicated to supporting Black Southern artists and their communities.

This milestone exhibition—the Morgan's first devoted exclusively to twentieth-century art—served as the centerpiece of the institution's yearlong celebration of its seventy-fifth anniversary.

Henry James and American Painting is the first exhibition to explore the author’s deep and lasting interest in the visual arts and their profound impact on the literature he produced.

Famine and flight, emigration and immigration, foreignness: these are some of the societal issues touched upon by the anonymous author of the Bible’s Book of Ruth, whose titular character was a great-grandmother of King David and, in the Christian tradition, an ancestor of Jesus Christ.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

The exhibition explores Whitman’s process of self-invention, from his early years as a journalist, through the early 1850s when Whitman began to write more privately and poetically, to his final years.

Delirium: The Art of the Symbolist Book explores creative encounters between Symbolist authors and the artists in their circles.