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The Morgan Library & Museum presents a special exhibition of an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France, created around the time of her coronation in 1517.

The show features more than eighty works that have been added to the Thaw collection since 2002, many of them important modern drawings by artists such as Jackson Pollock, Georgia O'Keeffe, Robert Motherwell, Ellsworth Kelly, Agnes Martin, Jim Dine, and David Smith, among others.

One camera, one viewfinder: photography is often understood as a solitary practice. Throughout the medium’s history, however, artists have challenged the notion of one-person authorship.

Imperial Splendor offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.

A museum and independent research library, the Morgan Library & Museum began as the personal library of financier, collector, and cultural benefactor John Pierpont Morgan (1837–1913). As early as 1890, Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints.

Eighteenth- and nineteenth-century landscape artists often sketched outdoors in oil paint on paper to capture nature from direct observation. Yet as natural as these scenes look, the vantages were chosen or augmented to draw the viewer into the composition.

The Metropolitan Museum of Art had on display seven superb examples of medieval art from the Morgan Library. These objects were on view in the Tapestry Hall while the Morgan proceeded with its expansion project. The long-term loans include some of the favorite works of the noted financier and collector Pierpont Morgan (1837–1913), a past president of The Metropolitan Museum of Art.

A Collective Invention: Photographs at Play signals the debut of photography as a curatorial focus at the Morgan.

The exhibition brings together for the first time Degas's remarkable painting, on loan from the National Gallery, London, and nearly all of the related preparatory works.

The exhibition examined the critical ten-year period that coincides with Dylan's transformation from folk troubadour to rock innovator during a momentous, turbulent period of American history.