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The Bible is a cornerstone of religion, art, and literature in the western world. Few books can demonstrate the power of the printed word as vividly as scripture—a bedrock of faith, an object of veneration, a formative influence on language and culture.

The career of English caricaturist James Gillray (1756–1815) spanned from the late eighteenth century to the first decade of the nineteenth century.

The leaves of a magnificent album compiled for Husain Khan Shamlu, governor of Herat (r. 1598–1618) and one of the most powerful rulers in Persia in the early seventeenth century, are now on view on the Lower Level.

The Morgan presents this exhibition on the occasion of an important loan from the Walters Art Museum in Baltimore: Rosso Fiorentino's Holy Family with the Young Saint John the Baptist.

This exhibition explores an extraordinary partnership, as documented in director James Ivory’s annotated film scripts, editing notebooks, and correspondence

This exhibition celebrates the Morgan's Man Booker Prize Collection—the largest American collection devoted to the prize, acquired in 2010.

This exhibition of the original manuscript and watercolor drawings—the most comprehensive ever mounted—explores the American origins of a story that reminds us that what matters most can only be seen with the heart.

Fragonard and the French Tradition celebrated the artist's brilliant accomplishments as a draftsman in the context of the prevailing currents of eighteenth-century French art.

Victorian Bestsellers explored the rise of this cultural phenomenon using original manuscripts, first editions, illustrated editions, and rare printed ephemera, drawn largely from the Morgan's renowned literary collections.

The eighteenth-century British master Thomas Gainsborough (1727–1788) is celebrated for his portraiture and for his depictions of rural landscapes.