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Jacopo Tintoretto (1518–1594) was among the most distinctive artists of the Italian Renaissance, but his drawings have never received the attention they deserve and remain unfamiliar even to many scholars.

Blaise Cendrars, born Frédéric Louis Sauser, was a catalyst in some of the explosive artistic innovations of the early twentieth century.

An exhibition in the Rotunda and an installation in the Garden in Summer 2023, developed collaboratively with the Lenape Center and Hudson Valley Farm Hub, honors Nora Thompson Dean (1907–1984), a Lenape teacher and herbalist who worked to preserve Lenape culture.

At the end of the 1520s, at the time of the siege that brought to an end the last Florentine Republic (1529–1530), the painter Jacopo da Pontormo, (1494–1557) created one of his most moving and groundbreaking paintings, the altarpiece of the Visitation.

The show focuses on artists who worked on the frescoes, paintings, tapestries, and other decorative work that embellished the magnificent Palazzo Vecchio in Florence, best known as the home of the Medici dukes.

Drawing upon the Morgan's collection of Poyer manuscripts, the exhibition also included choice loans of drawings and manuscripts from this country and abroad.

In 2021, the Morgan acquired twenty-eight drawings by American artist George Condo (b. 1957) that offer an overview of his career over the last forty-five years. Drawing, or “visual thinking” as he calls it, is central to Condo’s practice, which centers around the figure.

The Thaw Collection is an exhibition of works that have been acquired by Eugene V. and Clare E. Thaw since 1994. In the decades since the early 1950s, when they obtained their first drawing, a figure study by Giambattista Tiepolo, they have assembled one of the finest collections of drawings and watercolors in private hands. On the occasion of the first exhibition of their drawings at The Morgan Library & Museum in 1975, the Thaws announced their intention to eventually present the collection to the institution.

This milestone exhibition—the Morgan's first devoted exclusively to twentieth-century art—served as the centerpiece of the institution's yearlong celebration of its seventy-fifth anniversary.

A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings.