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Saul Steinberg: Illuminations featured more than one hundred drawings, collages, and sculptural assemblages by the artist whom many regard as not only a comic genius but among the greatest draftsmen of the modern era.

An inscribed tablet from the Middle Assyrian period of Mesopotamia records and commemorates the restoration of the temple of the goddess Ishtar in the capital city of Assur.

This exhibition explores the life, work, and legacy of Jane Austen (1775–1817), regarded as one of the greatest English novelists.

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

From the tales of famous travelers like Marco Polo and Alexander the Great to the ancient encyclopedias of Pliny and Isidore, medieval conceptions of the world were often based more on authoritative tradition than direct observation.

This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career.

A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings.

This exhibition marks the first presentation of Spanish drawings at the Morgan and showcases over twenty sheets from the museum's pre-eminent master drawings collection.

Drawn from the Morgan's collection, the exhibition examines the origins of modern scenic design and chronicles the evolution of stage sets during the highly innovative period of ca. 1900 to 1970.

The exhibition combines original drawings for the strip and the novel with source photographs, books that influenced the form and content of McGuire's invention, and collages and sketchbooks that afford glimpses into his creative process.