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This fall, the Morgan will display a selection of exceptional documents from the Gilder Lehrman Institute of American History, one of the country's foremost archives of Americana.

The Morgan Library & Museum celebrates the gift of more than 130 drawings and photographs from the collection of Karen B. Cohen with the exhibition Into the Woods: Naturalism, Landscape, and Labor.

A Lively Mind immerses viewers in the inspiring story of Jane Austen’s authorship and her gradual rise to international fame. Iconic artifacts from Jane Austen’s House in Chawton, England join manuscripts, books, and artworks from the Morgan, as well as from a dozen institutional and private collections, to present compelling new perspectives on Austen’s literary achievement, her personal style, and her global legacy.

Van Gogh's words and sketches reveal his thoughts about art and life and communicate his groundbreaking work in Arles to his fellow painter.

Treasures of Islamic Manuscript Painting from the Morgan marks the first time the Morgan has gathered these spectacular volumes together in a single exhibition.

Victorian Bestsellers explored the rise of this cultural phenomenon using original manuscripts, first editions, illustrated editions, and rare printed ephemera, drawn largely from the Morgan's renowned literary collections.

To celebrate the four-hundredth anniversary of the birth of Rembrandt Harmensz. van Rijn (1606–1669), The Morgan Library & Museum presented highlights from its exceptional collection of Rembrandt etchings.

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

In 1902 American financier Pierpont Morgan (1837–1913) chose architect Charles Follen McKim (1847–1909) of the prominent firm McKim, Mead and White to design a library to house his growing collection of rare books and manuscripts.

Marking the two-hundredth anniversary of his death, this exhibition considers the Morgan’s Keats collection through the lens of the library’s first director, Belle da Costa Greene.