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This milestone exhibition—the Morgan's first devoted exclusively to twentieth-century art—served as the centerpiece of the institution's yearlong celebration of its seventy-fifth anniversary.

An inscribed tablet from the Middle Assyrian period of Mesopotamia records and commemorates the restoration of the temple of the goddess Ishtar in the capital city of Assur.

As part of a commitment to build a representative collection of works on paper by twentieth-century artists, the Morgan acquired two major works by the American painter and draftsman Stuart Davis (1892–1964): his earliest known diary, used by the artist between 1920 and 1922, and a sketchbook dated 1926. To celebrate these acquisitions, the Morgan presented Stuart Davis: Art and Theory, 1920–31.

This exhibition marks the 150th anniversary of Dickens’s famous reading tour of the United States in 1867, and will thus examine his later career as a performer.

An extraordinary new exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large-scale, black-and-white works as a group for the first time and examines Lichtenstein's less known exploration of the medium of drawing.

This exhibition marks the first presentation of Spanish drawings at the Morgan and showcases over twenty sheets from the museum's pre-eminent master drawings collection.

The exhibition coincides with the 175th anniversary of Twain's birth in 1835 and includes more than 120 manuscripts and rare books.

One Hundred Years of James Joyce’s “Ulysses” explores Joyce’s trajectory from lyric poet to modernist genius.

Blaise Cendrars, born Frédéric Louis Sauser, was a catalyst in some of the explosive artistic innovations of the early twentieth century.

When Franz Kafka died of tuberculosis at the age of forty, in 1924, few could have predicted the influence his relatively small body of work would have on every realm of thought and creative endeavor over the course of the twentieth century and into the twenty-first.