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The exhibition Far and Away: Drawings from the Clement C. Moore Collection, on view upstairs, celebrates the promised gift of works to the Morgan from one of the preeminent private collections of Dutch drawings in America.

The French refer to the seventeenth century as the Grand Siècle, or the Great Century. Under the rule of Louis XIII and Louis XIV, the period saw a dramatic increase in French political and military power, the maturation of French courtly life at Versailles, and an unparalleled flourishing of the arts.

American artist Spencer Finch (b. 1962) will unveil a new, site-specific, large-scale installation at the Morgan inspired by its great collection of medieval Books of Hours.

This exhibition tells how a largely self-taught artist and writer used a series of private letters to develop some of the most vividly depicted animal characters in all of children's literature.

Over the last several years, the Morgan has acquired a critical mass of the Claude Master's work, of which nearly two dozen items will be featured in this exhibition.

The exhibition combines original drawings for the strip and the novel with source photographs, books that influenced the form and content of McGuire's invention, and collages and sketchbooks that afford glimpses into his creative process.

An extraordinary new exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large-scale, black-and-white works as a group for the first time and examines Lichtenstein's less known exploration of the medium of drawing.

This exhibition of the original manuscript and watercolor drawings—the most comprehensive ever mounted—explores the American origins of a story that reminds us that what matters most can only be seen with the heart.

The Morgan celebrates the 100th year of its founding with a series of exhibitions devoted to promised gifts to the museum, including twenty-eight drawings from the holdings of New York–based collectors Elizabeth and Jean-Marie Eveillard.

This exhibition presents seventeen exceptional drawings and three letters by Jean-Auguste-Dominique Ingres (1780–1867), one of the greatest draftsman and portraitists in French history.