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Jim Dine: The Glyptotek Drawings explores Dine's meditation on the antique world.

Drawing upon the Morgan's collection of Poyer manuscripts, the exhibition also included choice loans of drawings and manuscripts from this country and abroad.

In the century since its founding as a public institution, the Morgan’s collections have grown dramatically, deepening the core assembled by J. Pierpont Morgan and his librarian, Belle da Costa Greene, who became the first Director of the institution.

For this spellbinding exhibition—the first exploration of his career at a New York museum—Gowin has combined favorites and rarities from five decades of work with objects drawn from throughout the collections of the Morgan.

The Living Word is a poetic evocation of the relationship between the written word and its meaning.

Views of Rome and Naples is the fifth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare. Mr. Thaw is also an honorary trustee of the Metropolitan Museum of Art.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

One of the most comprehensive repositories of photography on the continent, the collection at the National Gallery of Canada turns fifty in 2019.

This milestone exhibition—the Morgan's first devoted exclusively to twentieth-century art—served as the centerpiece of the institution's yearlong celebration of its seventy-fifth anniversary.

This exhibition celebrates the two-hundredth anniversary of Brontë’s birth in 1816, and marks an historic collaboration between the Morgan and the Brontë Parsonage Museum, in Haworth, England.