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The Bible is a cornerstone of religion, art, and literature in the western world. Few books can demonstrate the power of the printed word as vividly as scripture—a bedrock of faith, an object of veneration, a formative influence on language and culture.

Drawn entirely from the museum's holdings, Tiepolo, Guardi, and Their World features a selection of more than one hundred works on paper and chronicles the vitality and originality of drawing during Venice's second Golden Age.

This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

On view were more than eighty sheets by French, British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the early twentieth centuries.

One of the most important contemporary American sculptors, Martin Puryear (b. 1941) has also made drawings throughout his career.

By the mid-eighteenth century, the Grand Tour, a study trip through Europe with a period of residence in Italy, had become a fixture in the education of European aristocrats and the training of artists.

A leading French artist of the twentieth century, Jean Dubuffet (1901-1985) eschewed traditional notions of beauty in art in favor of what he perceived as more authentic forms of expression, inspired by graffiti, children’s drawings, and the creations of psychiatric patients.

The Morgan Library & Museum celebrated the 250th anniversary of the birth of Wolfgang Amadeus Mozart (1756–1791) with an exhibition that traces Mozart's brief life through manuscripts, letters, and first editions of his works.

This summer, the Morgan will continue its annual sculpture series with a large-scale installation by Berlin-based artist Monika Grzymala.

This exhibition celebrates the Morgan’s 2018 acquisition of eleven drawings from the Souls Grown Deep Foundation, an organization dedicated to supporting Black Southern artists and their communities.