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This exhibition tells how a largely self-taught artist and writer used a series of private letters to develop some of the most vividly depicted animal characters in all of children's literature.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.

Three Gutenberg Bibles allows visitors to see important differences in copies of the first substantial printed book in the Western world, an epoch-making technological innovation, yet also a highpoint in the art of graphic design.

This Ever New Self: Thoreau and His Journal is the most comprehensive exhibition ever devoted to the life of one of America’s most influential authors and thinkers.

With manuscripts and letters of the great Scottish poet Robert Burns (1759–1796), rare printed editions, and audio selections, this highly focused exhibition explores the origins of a song that began as an old Scots poem and air and evolved into a globally shared expression of friendship and longing.

This previously unknown waltz, written in Chopin’s hand and very likely composed by him, is the first newly identified work by the Polish composer since the 1930s.

This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career.

Drawn entirely from the museum's holdings, Tiepolo, Guardi, and Their World features a selection of more than one hundred works on paper and chronicles the vitality and originality of drawing during Venice's second Golden Age.

Drawn from the Morgan's collection, the exhibition examines the origins of modern scenic design and chronicles the evolution of stage sets during the highly innovative period of ca. 1900 to 1970.