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This exhibition marks the 150th anniversary of Dickens’s famous reading tour of the United States in 1867, and will thus examine his later career as a performer.

One Hundred Years of James Joyce’s “Ulysses” explores Joyce’s trajectory from lyric poet to modernist genius.

As a part of the exhibition A Celebration: Acquisitions in Honor of the Morgan’s Centennial, on view through August 17, this selection highlights a group of drawings gifted to the museum by the artist Giuseppe Penone.

This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

Drawing upon the rich holdings of the Morgan’s collection of medieval and Renaissance illuminated manuscripts, Now and Forever explores how people told time in the Middle Ages and what they thought about it.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.

Best known for his luscious paintings of pies and ice-cream cones, California artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career as an illustrator and cartoonist.

This exhibition explores the ways in which Renoir used paper to test ideas, plan compositions, and interpret both landscape and the human figure.

In the spring of 2019 Jayne Wrightsman bequeathed to the Morgan an exceptional collection of books bound for the highest echelons of 18th-century French society.

One of the earliest original manuscripts of Magna Carta dating to 1217 is on view at the Morgan through May 30.