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The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).

In the spring of 2019 Jayne Wrightsman bequeathed to the Morgan an exceptional collection of books bound for the highest echelons of 18th-century French society.

The career of English caricaturist James Gillray (1756–1815) spanned from the late eighteenth century to the first decade of the nineteenth century.

This show is the first-ever museum exhibition devoted to Matthew Barney's drawings and includes approximately 100 works.

Drawing upon the rich holdings of the Morgan’s collection of medieval and Renaissance illuminated manuscripts, Now and Forever explores how people told time in the Middle Ages and what they thought about it.

This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career.

The Morgan is delighted to present visitors with a unique opportunity to see, for the first time in New York, Leonardo da Vinci's extraordinary Codex on the Flight of Birds, and one of his most celebrated drawings, Head of a Young Woman, together with a selection of other works on paper.

Pakistani American artist Shahzia Sikander is internationally celebrated for bringing Indo-Persian manuscript-painting traditions into dialogue with contemporary art practice.

In a letter written near the end of his life, Giovanni Battista Piranesi (1720–1778) explained to his sister that he had lived away from his native Venice because he could find no patrons there willing to support “the sublimity of my ideas.”