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This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.

This summer, the Morgan will continue its annual sculpture series with a large-scale installation by Berlin-based artist Monika Grzymala.

From May 5 to May 17 the Morgan Library & Museum will hold a special pop-up exhibition celebrating the acquisition of several unique books by authors connected to Britain’s Man Booker Prize.

An inscribed tablet from the Middle Assyrian period of Mesopotamia records and commemorates the restoration of the temple of the goddess Ishtar in the capital city of Assur.

This exhibition presents some of the Morgan’s greatest portrait drawings from a collection of works on paper that is internationally recognized for its depth and quality.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and Renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

Jacopo Tintoretto (1518–1594) was among the most distinctive artists of the Italian Renaissance, but his drawings have never received the attention they deserve and remain unfamiliar even to many scholars.

Delirium: The Art of the Symbolist Book explores creative encounters between Symbolist authors and the artists in their circles.

This exhibition celebrates the two-hundredth anniversary of Brontë’s birth in 1816, and marks an historic collaboration between the Morgan and the Brontë Parsonage Museum, in Haworth, England.