The monster melo-drama / Sylvester Scrutiny invt ; S De Wilde Sculp.

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Samuel De Wilde
1751-1832
The monster melo-drama / Sylvester Scrutiny invt ; S De Wilde Sculp.
[London] : Published for the Satirist Decr 4th 1807 by S Tipper, Leadenhall Street, [1807]
Bequest of Gordon N. Ray, 1987.
1986.701
Published: 
[London] : Published for the Satirist Decr 4th 1807 by S. Tipper, Leadenhall Street, [1807]
Provenance: 
From the library of Gordon N. Ray.
Notes: 

Title from BM Satires 10796.
Print appeared in the Satirist, Jan. 1808.
Library's copy is closely trimmed and shows evidence of folding for insertion into bound volume; trace of offset letterpress on verso at right.

Summary: 

Print shows a four-footed monster, with four human heads, the long hairy body resembling that of a dog, stand in front of the theatres of Covent Garden and Drury Lane. The three main heads are those of Sheridan, saying "Ha, ha, ha," Kemble saying "Oh!!!!!", with a tragic expression, and of a clown (evidently Grimaldi), saying, "Nice Moon". A dagger is thrust into Kemble's neck, blood gushing from the wound. A fourth head wearing a mask, that of Harlequin, looks over the back of the monster, who wears a Harlequin coat over its fore-legs and the front part of its body. It has a long barbed tail inscribed 'A Tail of Mistery'. The monster's fore-paws rest on a paper: 'Regular Dramas Congreve Beaumont and Fletcher Colman'. A hind-foot rests on 'Shakespear's Works'. Under its body are a number of modern dramatists, some of whom suck from its many teats. They are portraits, and some are identified by the titles of plays by which they stand. On the left, Frederic Reynolds bestrides a large dog (Carlo) by 'The Caravan'. A man sits on the shoulders of a monk with cloven hoofs in order to reach a teat; the monk (Lewis) stands on 'Wood Daemon' [a 'Grand Romantic Melo-Drama' by M. G. ('Monk') Lewis, first played at Drury Lane 1 Apr. 1807]. Holcroft, wearing spectacles, stands on the 'Road to Ruin'. Skeffington, wearing long striped pantaloons, stands on his 'Sleeping Beauty'. On the extreme right, Dimond, tall, thin, and foppish, stands on his 'Hunter of the Alps', played at the Haymarket in 1804. There are five other men, less prominent, and unidentified by inscriptions. Behind, an old man (or woman) drives a flock of geese past the arcade of Covent Garden Theatre.

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