Letter from Ruth Prawer Jhabvala, Delhi, India, to James Ivory, Mumbai, India, 1970 April 11 : autograph manuscript signed.

Wondering if the ending is quite right and whether the final shot of Jennifer Kendal makes her seem too remote; suggesting that there should be something between the murder and the funeral; noting that Ivory said he would have to go back to the Taj for additional filming; suggesting that if he couldn't, he could take another setting and make it appear to be the same place; dismissing her knowledge of the technical aspects of film production; questioning whether his idea of "ending the film on people surging out of a cinema" is the best option; asking whether he has gotten a shot of Hari in his room at night.