Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Autograph letter signed : [n.p.], to Coventry Patmore, [n.d.].

BIB_ID
190956
Accession number
MA 4693
Creator
Ruskin, John, 1819-1900.
Display Date
[n.d.].
Credit line
Purchase, Acquisitions Fund; 1991.
Description
1 item (2 p.) 2 l. ; 18.4 x 11.3 cm.
Notes
Transcription: My dear Patmore I have been much interested by reading your paper, and concur most heartily in it all except my being fit to write an essay on Religious art, which I shall not be these ten years at least, and what you say of Spanish painters, whom I think a thoroughly irreligious [the letter "ir" in "irreligious" underlined] rascally set, only Velasquez a noble painter [the word "painter" underlined]: a great man -- but no more piety in him, I believe than in Lord John Russell -- (though I like his last letter exceedingly - in sic omnia -- it is a God send indeed -- but on his part a mere piece of scientific play). I think however from some passages in this paper of yours that you cannot have met with -- & might perhaps be interested in, some passages in the book I wrote about Turner, Modern Painters [the words "Modern Painters" underlined] - the second [the word "second" underlined] vol. -- if you have not seen it, I will send it [to] you as it bears much on my present work, marking the bit which I think would interest you. Never think of calling at D. [Denmark] Hill, my mother never expects anything of the kind and your holidays may be much better spent -- when you have time you must come to dine there again, the best way of calling. Yours most truly J. Ruskin.
Summary
Praising a paper of Patmore but denying that he (Ruskin) is "fit to write an essay on Religious art," calling the Spanish painters "a thoroughly irreligious [the letter "ir" in "irreligious" underlined] rascally set" but praising Velasquez as "a noble painter [the word "painter" underlined]: a great man"; and recommending some passages from his own Modern Painters which Patmore may not have seen.