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• Autograph letter signed : [Paris, to Amédée Pommier?], 1846 Aug. 10.

  Vigny, Alfred de, 1797-1863.

  1846 Aug. 10.

  MA 2697.13

  Department

  Literary and Historical Manuscripts

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• Autograph letter signed : [Paris], to an unidentified woman, 1846 Dec. 28.

  Vigny, Alfred de, 1797-1863.

  1846 Dec. 28.

  MA 2697.14

  Department

  Literary and Historical Manuscripts

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• Autograph letter signed : [Paris], to an unidentified man, 1855 Sept. 20.

  Vigny, Alfred de, 1797-1863.

  1855 Sept. 20.

  MA 2697.16

  Department

  Literary and Historical Manuscripts

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• Autograph letter signed : [Paris], to an unidentified recipient, 1859 June 20.

  Vigny, Alfred de, 1797-1863.

  1859 June 20.

  MA 2697.18

  Department

  Literary and Historical Manuscripts

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• Autograph letter signed : [Paris], to an unidentified recipient, 1860 Apr. 9.

  Vigny, Alfred de, 1797-1863.

  1860 Apr. 9.

  MA 2697.20

  Department

  Literary and Historical Manuscripts

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• Autograph letter signed : [Paris], to an unidentified recipient, 1860 May 13.

  Vigny, Alfred de, 1797-1863.

  1860 May 13.

  MA 2697.21

  Department

  Literary and Historical Manuscripts

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• Autograph poem : [Paris, 1822 Dec. 12].

  Vigny, Alfred de, 1797-1863.

  1822 Dec. 12].

  MA 2697.24

  Department

  Literary and Historical Manuscripts

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• New Testament fragment (MS M.714).

  Created

  12th century

  Accession number

  MS M.714

  Classification

  Manuscript

  Department

  Medieval and Renaissance Manuscripts

  

• A general history of music from the earliest ages to the present period : to which is prefixed, a dissertation on the music of the ancients / by Charles Burney.

  Accession number

  PMC 1896-99

  Published

  London : Printed for the author and sold by T. Becket ..., J. Robson ..., and G. Robinson ..., 1776-1789.

  Department

  Music Manuscripts and Printed Music

  Music type

  Printed Material

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• Belle da Costa Greene and the Women of the Morgan

  This display reveals the stories of Belle da Costa Greene, the Morgan's first director, and the women she worked with.

  Online Exhibitions

  

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