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With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

The drawings assembled by Clement C. (Chips) Moore constitute one of the preeminent collections of Dutch drawings in private hands.

This exhibition explores the ways in which Renoir used paper to test ideas, plan compositions, and interpret both landscape and the human figure.

An extraordinary collection of forty-three early-twentieth-century German and Austrian drawings by some of the leaders of the German expressionist movement and the Vienna Secession was on view in From Berlin to Broadway.