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• Sketchbook for Arthur T. Pask's "The white lady" and Amelia Rives's "A damsel errant" [sketchbook].

  Sullivan, Edmund J. (Edmund Joseph), 1869-1933, artist.

  MA 23917.5

  Department

  Literary and Historical Manuscripts

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• Notes by James Ivory on the draft screenplay for The Aspern papers, 2010 : autograph manuscript.

  Ivory, James, author.

  MA 23842.4

  Department

  Literary and Historical Manuscripts

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• Unproduced screenplay for Call me by your name, with manuscript notes by James Ivory : typescript.

  Simonds, Derek R., author.

  MA 9784.8

  Department

  Literary and Historical Manuscripts

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• Series of 20 drawings, illustrating the "Inferno" and "Purgatorio" of Dante's "Divina Commedia"

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:1-20

  Classification

  Album

  Department

  Drawings and Prints

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• Inferno, Canto I (Antinferno). Three Pairs of Minute Figures on a Road Passing Through a Rocky Landscape, With Steam Coming Out of a Hole in the Ground at Left, Rough Sea in the Background and Stars above at Right

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:1

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto I (Antinferno). Empty Path through Volcanic Landscape with Five Smoking Holes; Sea and Mountains in Background and Starry Sky Above

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:2

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto I (Antinferno). Virgil and Dante on the Path through Rocky Landscape, Close to a Crevasse and Smoking Hole

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:3

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto III. Charon Portrayed Shipping the Damned through the Acheron, Seen as a Circular Lake with the Entrance to the First Circle in the Middle. Dante and Virgil Looking at the Damned Who Are Being Attacked by Hornets and Wasps; Pointing to the Entrance; Approaching the Ferry; Speaking to Charon; Boarding the Ferry; and on the Ferry. At top a town?

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:4

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto XI - XII. Virgil and Dante, at Upper Left, Before the Tomb of Pope Anastasius; Their Meeting with the Minotaur; Their Descent to the Phlegethon (River of Boiling Blood); Their Meeting with the Centaurs, Who Guard the Damned and Punish Them with Arrows; Chiron Gives Them as a Guide the Centaur Nessus; Dante and Virgil Are Carried by Nessus and Together They Cross the Phlegethon Where the Tyrants are Immmersed in Blood According To The Degree of Their Guilt; Virgil, Dante and Nessus Reach the Middle. At top, a town. Verso: Bell or Hat?

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:5

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto XIII. Virgil and Dante in the Forest of Those of Who Have Committed Suicide. They Meet Piero delle Vigne, Lano da Siena, and Giacomo da Sant' Andrea Chased by Dogs. Six Harpies in the Forest. At top, a town

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:6

  Classification

  Drawing

  Department

  Drawings and Prints

  

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