Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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A virtual symposium reflecting on the exhibitions and research of the 2019 Rembrandt anniversary year. Co-sponsored by The Leiden Collection and the Drawing Institute of the Morgan Library & Museum.
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On March 15, 1874, a group of artists later called the Impressionists opened an independent exhibition in a gallery in the center of Paris. In the 150 years that followed, their works have become some of the most widely recognized and popular in the world.
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Niklaus Manuel Güdel
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Sir David Cannadine, Dodge Professor of History at Princeton University, President of the British Academy, and Editor of the Oxford Dictionary of National Biography, explores the interconnected, transatlantic worlds of the traditional and titled British wealth elite and the new American
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Maria Fredericks, the Sherman Fairchild Head of Conservation in the Morgan's Thaw Conservation Center, shares her insights on conserving the Codex Mellon.
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At the first international symposium devoted to the artist, scholars explore Gillot’s work and career in the context of the Paris art world, uncovering his professional network and assessing his contribution to changing tastes and his impact on the next generation of art
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When Franz Kafka died of tuberculosis at the age of forty, in 1924, few could have predicted the influence his relatively small body of work would have on every realm of thought and creative endeavor over the course of the twentieth century and into the twenty-first.
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Renowned for his beloved and acclaimed children’s books, Maurice Sendak (1928–2012) was also an avid music and opera lover. In the late 1970s, he embarked on a successful second career as a designer of sets and costumes for the stage.
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For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe.
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When he was just eleven years old Pedro Corrêa do Lago wrote to ask François Truffaut for his signature and received, by return mail, a book inscribed by the French director. Over the ensuing decades Corrêa do Lago built one of the world’s most compelling collections of its kind.
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