Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Drawings played a central role in the artistic practice of the three giants of the Flemish Baroque: Peter Paul Rubens (1577–1640), Anthony van Dyck (1599–1641), and Jacob Jordaens (1593–1678).
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Writer Emma Straub reflects on the bond between artists and animals: Are pets worthwhile subjects? What roles do companion animals play in a life devoted to the imagination? What do our relationships with animals reveal about ourselves?
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Artist William Wegman reflects on the bond between artists and animals: Are pets worthwhile subjects? What roles do companion animals play in a life devoted to the imagination? What do our relationships with animals reveal about ourselves?
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Composer Michael Hearst reflects on the bond between artists and animals: Are animals worthwhile subjects? What roles do animals play in a life devoted to the imagination? What do our relationships with animals reveal about ourselves?
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Join Isabelle Dervaux, Acquavella Curator of Modern & Contemporary Drawings, for a virtual guided tour of the exhibition David Hockney: Drawing from Life. David Hockney (b. 1937) is one of the most internationally respected and renowned artists alive today.
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Why do the doors of our library building looks so good?
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The original ideas for many of Beatrix Potter's stories can be found in the manuscript picture letters she wrote to children of friends and family members.
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The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f
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John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.
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Thomas Crow, Rosalie Solow Professor of Modern Art, NYU/Institute of Fine Arts, explores how Bridget Riley found the catalyst for her signature mode of art--along with its first, electrifying exposure--in a highly idiosyncratic venue.
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