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We are getting a new roof over our heads! For the first time in the McKim, Mead, & White building’s 112-year history we are undergoing a complete roof replacement with a team of experts.

One of the most dramatic interventions performed by Mariette on drawings in his collection was the splitting of a single sheet of paper to separate the recto and the verso of double-sided drawings.

Perspectives from a Conservator and a Curator

In January 2021, the Morgan acquired an exceptional group of twenty prints by Martin Puryear.

Diana Dethloff, Academic Administrator and Lecturer in Seventeenth-Century British Art, Department of History of Art, University College, London, delivers her lecture Peter Lely: Collecting in Seventeenth–Century England on Friday, March 4, 2016.

Take a closer look at this 1000 year old Spanish illumination with Josh O’Driscoll, Assistant Curator of Medieval and Renaissance Manuscripts as he shares the incredible story.

Harriet Walter is an associate artist of the Royal Shakespeare Company and has played lead roles in numerous RSC productions. She appears regularly on British television and the West End stage.

The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.

This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000). Though Brooks is generally well-known for her poetry, few recognize her expansive social and political impact.

For our Centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan. First up, artist Walton Ford describes some of his favorites drawings in our collection and what about these works inspire him.