Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Join Joshua O'Driscoll, Assistant Curator of Medieval and Renaissance Manuscripts, for a virtual exploration of a 1,200-year-old book that forms the cornerstone of the renowned collection of illuminated manuscripts at the Morgan Library & Museum.
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Our curator John Marciari discusses our current exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi which examines Giovanni Battista Piranesi as a versatile draftsman and his vigorous drawings.
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The original ideas for many of Beatrix Potter's stories can be found in the manuscript picture letters she wrote to children of friends and family members.
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John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.
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"The closest thing to a human being is a book. I know people think it’s a dog, but they’re wrong…When you look at manuscripts or letters and they’re written in the hand of the writer, you are closer to that writer, you’re closer to the person.” –Fran Lebowitz
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Ian Wardropper, Director, The Frick Collection and Inge Reist, Director, Center for the History of Collecting, Frick Art Reference Library deliver welcoming remarks on Saturday, March 5, 2016 for the symposium A Demand for Drawings: Five Centuries of Collecting, co-presented by the Cente
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In an unprecedented collaboration, the Mozarteum Foundation of Salzburg and the Morgan Library & Museum have partnered to tell the story of the life and career of Wolfgang Amadeus Mozart.
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The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.
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Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.
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