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The exhibition Invention and Design is intended to celebrate the publication of the first-ever catalogue of the Morgan’s collection of Italian Renaissance Drawings. In this opening night lecture, Rhoda Eitel-Porter, Editor of Print Quarterly and former Charles W.

In January 2021, the Morgan acquired an exceptional group of twenty prints by Martin Puryear.

Isabelle Dervaux, curator of Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey, discusses the artist’s legacy and his impact on modernism.

The most famous achievement of Annibale Carracci (1560–1609) is his celebrated series of frescoes in the Palazzo Farnese in Rome (1596–1604).

Maria Fredericks, the Sherman Fairchild Head of Conservation in the Morgan's Thaw Conservation Center, shares her insights on conserving the Codex Mellon.

One of the most dramatic interventions performed by Mariette on drawings in his collection was the splitting of a single sheet of paper to separate the recto and the verso of double-sided drawings.

Complementing the opening of the exhibition Belle da Costa Greene: A Librarian’s Legacy, this one-day scholarly symposium will bring together experts working on Belle Greene and/or the fields relevant to our understanding of her life and career, including African American history and lit

John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.

Rachel Federman, curator of “Bridget Riley Drawings: From the Artist’s Studio,” discusses Bridget Riley, one of the most celebrated abstract painters of her generation.

A conversation with Maria Popova and poet Marie Howe, lensed through the original manuscripts of William Blake's Auguries of Innocence and Walt Whitman's "O Captain, My Captain!"