Search

Sir Nicholas Penny, former director of the National Gallery, London, and the Thaw Senior Fellow at the Morgan Drawing Institute for 2018, gave the annual Thaw Lecture on “The Zoomorphic Mask.” He explores the fantastic in Renaissance design, with reference to many other episodes in the history of

Building on the Morgan’s tradition of presenting to the American public distinguished works from outstanding institutions abroad, Van Eyck to Mondrian: 300 Years of Collecting in Dresden focuses on the exceptional drawing collection of the Kupferstich-Kabinett, Dresden.

To mark the 2024 centennial of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene.

Sheelagh Bevan, our Andrew W. Mellon Associate Curator of Printed Books and Bindings, discusses Blaise Cendrars, born Frédéric Louis Sauser, a catalyst in some of the explosive artistic innovations of the early twentieth century.

John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.

Join the captivating pianist Do-Hyun Kim in a specially recorded concert from Mixon Hall at Cleveland Institute of Music, featuring Wolfgang Amadeus Mozart's Sonata No. 12 in F Major, K. 332, Robert Schumann's Fantasiestüke, Op.

Thomas Gainsborough’s paintings and drawings grant the viewer the perspective of a traveler wandering along a winding path encountering both the familiar and the enigmatic.

Pinar Durgun, the Jeannette and Jonathan Rosen Associate Curator of Ancient Western Asian Seals and Tablets at the Morgan, gives us an in-depth look into the Babylonian Epic of Atrahasis and the history of tablets and cuneiform, the oldest form of writing.

Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500, offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.