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A conversation with Maria Popova and Caldecott-winning children’s book artist and author Sophie Blackall, lensed through Antoine de Saint- Exupéry's original watercolors for The Little Prince and Lewis Carroll’s diary entry from the day he first told the story of Wonderland to the real-l

Join Dr. Francesca Cappelletti, esteemed Caravaggio scholar, Director of the Borghese Gallery, and co-curator of Caravaggio 2025 at Palazzo Barberini in Rome, for a lecture in connection with the Morgan’s current exhibition, Caravaggio’s “Boy with a Basket of Fruit” in Focus.

Thomas Gainsborough’s paintings and drawings grant the viewer the perspective of a traveler wandering along a winding path encountering both the familiar and the enigmatic.

We look forward to welcoming you to our new garden this summer. As part of the second phase of a $12.6 million restoration project, this new outdoor space will add a new layer to our campus. It will enable visitors to experience the jewel of our campus—J.

Thomas Crow, Rosalie Solow Professor of Modern Art, NYU/Institute of Fine Arts, explores how Bridget Riley found the catalyst for her signature mode of art--along with its first, electrifying exposure--in a highly idiosyncratic venue.

"Here I am in this time and space, able to see {these paintings] with such intimacy and that is so, so exciting to me as a painter."

Join Christine Nelson, Drue Heinz Curator of Literary and Historical Manuscripts, for a fresh look at Anne Brontë (1820–1849), bold author and truth-teller, through the artifacts she left behind.

Sal Robinson, Assistant Curator of Literary and Historical Manuscripts, takes us into Jane Austen's world with the manuscript of Lady Susan, the only surviving complete draft of any of her novels.

Philip Palmer, the Robert H. Taylor Curator and Department Head of Literary and Historical Manuscripts, takes an in-depth look at the draft manuscript and original artwork for Antoine de Saint-Exupéry's The Little Prince.

In the late 1650s, when he was at the summit of his career, Rembrandt van Rijn drew a series of "creative copies" after Mughal Indian portraits.