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Hendrick Goltzius was one of the greatest Dutch printmakers and draftsmen of the sixteenth century. Our Annette and Oscar de la Renta Assistant Curator of Drawings and Prints Austeja Mackelaite describes his work in detail.

Gail Levin

Hans Holbein the Younger’s portrait of Sir Thomas More, painted in 1527, is one of the pinnacles of the artist’s career. Xavier F.

Robinson McClellan, Associate Curator of Music Manuscripts and Printed Music, discusses the importance of Robert Owen Lehman’s extraordinary collection of music manuscripts that has been an inspiration to scholars and visitors since it was placed on deposit at the Morgan Library & Museum.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).

Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500, offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.

The original ideas for many of Beatrix Potter's stories can be found in the manuscript picture letters she wrote to children of friends and family members.

A little music for your cozy holiday weekend: listen to violinist Kelly Hall-Tompkins play a piece by Fritz Kreisler from 1911. Fritz Kreisler dedicated this piece to the virtuoso Belgian violinist and composer Eugène Ysaÿe. It reflects qualities of both composers.

Isabelle Dervaux, curator of Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey, discusses the artist’s legacy and his impact on modernism.

The exhibition Invention and Design is intended to celebrate the publication of the first-ever catalogue of the Morgan’s collection of Italian Renaissance Drawings. In this opening night lecture, Rhoda Eitel-Porter, Editor of Print Quarterly and former Charles W.