Search

In conjunction with the exhibition Wayne Thiebaud, Draftsman, the artist discusses the role of drawing in his practice, his beginnings as a cartoonist, his sketching habits, his love of the Old Masters, and his fondness for classic American food

Philippe de Montebello interviews Isabelle Dervaux, Curator, Modern and Contemporary Drawings, about the exhibition New at the Morgan: Acquisitions Since 2004.

Albrecht Dürer's engraving Adam and Eve is one of the most celebrated of the artist's career. It complements the Morgan's drawing of Adam and Eve by Dürer (I, 257d).

Drawings played a central role in the artistic practice of the three giants of the Flemish Baroque: Peter Paul Rubens (1577–1640), Anthony van Dyck (1599–1641), and Jacob Jordaens (1593–1678).

The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.

Ger Luijten, Director, Fondation Custodia, Collection Frits Lugt, Paris, delivers his lecture Frits Lugt: Building a Collection on Saturday, March 5, 2016.

Michiel Plomp, Chief Curator of Art Collections, Teylers Museum, Haarlem, delivers his lecture Rembrandt and His Time on Saturday, March 5, 2016.

Ian Wardropper, Director, The Frick Collection and Inge Reist, Director, Center for the History of Collecting, Frick Art Reference Library deliver welcoming remarks on Saturday, March 5, 2016 for the symposium A Demand for Drawings: Five Centuries of Collecting, co-presented by the Cente

The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.

Andrew Morrogh, Associate Professor of Art History Emeritus, University of Oregon, Eugene, delivers his lecture Niccolò Gaddi and Giorgio Vasari on Saturday, March 5, 2016.