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Isabelle Dervaux, curator of Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey, discusses the artist’s legacy and his impact on modernism.

Noël Annesley, Honorary Chairman, Christie’s Fine Art, London, began his career at Christie’s auction house in London in 1964 and has followed the market in old master drawings for over half a century, witnessing its highs and lows and once-in-a-lifetime opportunities.

Evelyn Karet, Independent Scholar and former Visiting Scholar, Department of Visual and Performing Arts, Clark University, Boston, presents her lecture Collecting Old Master Drawings in Northern Renaissance Italy before Vasari: Motivations and Patterns of Collecting on Friday, March 4, 2

Sir Nicholas Penny, former director of the National Gallery, London, and the Thaw Senior Fellow at the Morgan Drawing Institute for 2018, gave the annual Thaw Lecture on “The Zoomorphic Mask.” He explores the fantastic in Renaissance design, with reference to many other episodes in the history of

Director Colin B. Bailey takes a close look at three drawings by Jean-Antoine Watteau (1684–1721), considered some of the finest drawings in the Morgan's collection: Seated Young Woman (ca. 1716), Young Woman Wearing a Chemise (ca.

Join Colin B. Bailey, Katharine J. Rayner Director of The Morgan Library & Museum, for a special opening night lecture that explores drawings by Rembrandt, Watteau, Degas, Renoir, and other highlights in the exhibition, Liberty to Imagination: Drawings from the Eveillard Gift.

The exhibition Conversations in Drawing: Seven Centuries of Art from the Gray Collection brings together works from across Europe and the United states, illuminating affinities and tensions in the history of drawing.

Renoir’s paintings are icons of Impressionism, but his drawings, watercolors, and pastels are far less widely known. In fact, drawing remained central to his artistic practice over the course of a long and varied career. In this lecture, Dr. Colin B. Bailey, Katharine J.

In the inaugural Thaw Lecture (held on 5 May 2015), Alastair Laing, 2014–15 Thaw Senior Fellow at the Drawing Institute and longtime curator of paintings for the National Trust in the United Kingdom, investigates the audience for, and function of, the 10,000 drawings Rococo master François Bouche

In conjunction with the exhibition Wayne Thiebaud, Draftsman, the artist discusses the role of drawing in his practice, his beginnings as a cartoonist, his sketching habits, his love of the Old Masters, and his fondness for classic American food