Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Diana Dethloff, Academic Administrator and Lecturer in Seventeenth-Century British Art, Department of History of Art, University College, London, delivers her lecture Peter Lely: Collecting in Seventeenth–Century England on Friday, March 4, 2016.
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In 1902, the American financier and collector J. Pierpont Morgan (1837–1913) commissioned architect Charles Follen McKim (1847–1909) of the firm McKim, Mead & White to design a freestanding library next to his home on East 36th Street in New York.
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The exhibition Conversations in Drawing: Seven Centuries of Art from the Gray Collection brings together works from across Europe and the United states, illuminating affinities and tensions in the history of drawing.
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Writer Emma Straub reflects on the bond between artists and animals: Are pets worthwhile subjects? What roles do companion animals play in a life devoted to the imagination? What do our relationships with animals reveal about ourselves?
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Artist William Wegman reflects on the bond between artists and animals: Are pets worthwhile subjects? What roles do companion animals play in a life devoted to the imagination? What do our relationships with animals reveal about ourselves?
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Composer Michael Hearst reflects on the bond between artists and animals: Are animals worthwhile subjects? What roles do animals play in a life devoted to the imagination? What do our relationships with animals reveal about ourselves?
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The original ideas for many of Beatrix Potter's stories can be found in the manuscript picture letters she wrote to children of friends and family members.
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Associate curator Carolyn Vega discusses The Morgan Library & Museum’s exhibition Alice: 150 Years of Wonderland. In honor of the 150th anniversary of the first publication of Lewis Carroll’s Alice’s Adventures in Wonderland, the Morgan explo
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In conjunction with the exhibition Wayne Thiebaud, Draftsman, the artist discusses the role of drawing in his practice, his beginnings as a cartoonist, his sketching habits, his love of the Old Masters, and his fondness for classic American food
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