Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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It is generally acknowledged that Boucher’s Triumph of Venus, painted in the summer of 1740 for Count Carl Gustaf Tessin, is the artist’s greatest mythological painting.
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The Nationalmuseum, Sweden’s largest and most distinguished art institution, is partnering with the Morgan to bring more than seventy-five masterpieces from its collections to New York for a rare visit.
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Jennifer Wright delivers a lecture written by Jennifer Tonkovich, Eugene and Clare Thaw Curator of Drawings and Prints, The Morgan Library & Museum on Saturday, March 5, 2016.
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Acclaimed artist Julie Mehretu joins Shahzia Sikander to discuss Shahzia Sikander: Extraordinary Realities, an investigation into the first fifteen years of Sikander's career, and Juli
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A conversation with Maria Popova and Caldecott-winning children’s book artist and author Sophie Blackall, lensed through Antoine de Saint- Exupéry's original watercolors for The Little Prince and Lewis Carroll’s diary entry from the day he first told the story of Wonderland to the real-l
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Maria Fredericks, the Sherman Fairchild Head of Conservation in the Morgan's Thaw Conservation Center, shares her insights on conserving the Codex Mellon.
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Isabelle Dervaux, curator of Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey, discusses the artist’s legacy and his impact on modernism.
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Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, New York, interviews George Goldner, former Curator of Paintings and Drawings, J.
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The Hours of Catherine of Cleves is the greatest Dutch illuminated manuscript in the world. Its 157 miniatures are by the gifted Master of Catherine of Cleves (active ca. 1435–60), who is named after this book.
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This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000). Though Brooks is generally well-known for her poetry, few recognize her expansive social and political impact.
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