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A panel featuring Mark R. Silk, Trinity College, Hartford; Dean P.

In conjunction with the exhibition Wayne Thiebaud, Draftsman, the artist discusses the role of drawing in his practice, his beginnings as a cartoonist, his sketching habits, his love of the Old Masters, and his fondness for classic American food

Curator Declan Kiely discusses a volume of Oscar wilde manuscripts the Morgan received as a gift in 2008.

Watch these exciting young musicians performing George Frideric Handel's Recorder Sonata in G minor, HWV 360; Krzysztof Penderecki's Three Miniatures; Johann Sebastian Bach's Selections from Goldberg Variations, BWV 988; Martin Lohse's Autumn Rain and Winter’s Tale; Johan

With over 300 drawings by Giambattista and Domenico Tiepolo, this collection is one of the strengths at the Morgan. John Marciari, Charles W.

Sidney Babcock, the Jeannette and Jonathan Rosen Curator and Department Head of the Department of Ancient Western Asian Seals and Tablets and curator of She Who Wrote: Enheduanna and Women of Mesopotamia ca.

Thomas Crow, Rosalie Solow Professor of Modern Art, NYU/Institute of Fine Arts, explores how Bridget Riley found the catalyst for her signature mode of art--along with its first, electrifying exposure--in a highly idiosyncratic venue.

The Chamber Orchestra of New York with Music Director Salvatore Di Vittorio perform a musical program inspired by works in the exhibition City of the Soul: Rome and the Romantics.

Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX. His brilliant career at court was cut short in 1570, when he died at the age of 25.

When he was just eleven years old Pedro Corrêa do Lago wrote to ask François Truffaut for his signature and received, by return mail, a book inscribed by the French director. Over the ensuing decades Corrêa do Lago built one of the world’s most compelling collections of its kind.