Search

In conjunction with the exhibition Entrance to the Mind: Drawings by George Condo in the Morgan Library & Museum, artist George Condo discusses the role of drawing in his practice and his interest in the art of the past with Isabelle Dervaux, Acquavella Cura

The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f

A wonderful lineup of leading musicians including members of the Metropolitan Opera Orchestra, New York Philharmonic, and National Symphony Orchestra perform Igor Stravinsky's iconic work L’Histoire du soldat, Wynton Marsalis' updated parable A Fiddler's Tale

The Chamber Orchestra of New York with Music Director Salvatore Di Vittorio perform a musical program inspired by works in the exhibition City of the Soul: Rome and the Romantics.

The Middle Ages inherited Roman time keeping, but what did they do with it? Roger S. Wieck, Melvin R.

One of the most timeless and eloquent of historical documents, the Declaration of Independence stands with the Magna Carta, as a classic charter of freedom.

Long before becoming one of the most celebrated figures in the history of science, Sir Isaac Newton (1642–1727) kept a pocket-sized memorandum book, filling it with notes distilled from reading during his grammar school and early Cambridge days. Join Philip S. Palmer, Robert H.

Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX. His brilliant career at court was cut short in 1570, when he died at the age of 25.

Opening February 2 and continuing through May 13, Tennessee Williams: No Refuge but Writing highlights the playwright’s creative process and his close involvement with the theatrical production of his works, as well as their reception and la

Albrecht Dürer's engraving Adam and Eve is one of the most celebrated of the artist's career. It complements the Morgan's drawing of Adam and Eve by Dürer (I, 257d).